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Finalist: Anonymous, freelance contributor, The New York Times

For striking images, conducted at great personal risk, of the military coup in Myanmar.

Nominated Work

Paing Phyoe Thu, an actor, holding up the three-finger salute, a symbol from the “Hunger Games” series, which became the leitmotif of the democracy movement. After a Feb. 1 military coup, peaceful demonstrations in Myanmar swelled to hundreds of thousands of people in a matter of days.

Tens of thousands, among them students, doctors and engineers, protesting the military coup in Mandalay in late February.

Protesters in Yangon preparing firebombs ahead of a crackdown in March. The peaceful protests that began in February rapidly grew into an armed resistance movement.

Protesters throwing firebombs in Yangon, in an attempt to block the military and police forces who fired bullets at the crowds.

Protesters boldly and desperately defending their barricade in Yangon in March as security forces attempted to clear roadblocks.

Pro-democracy protesters holding makeshift shields as they prepared for a crackdown by security forces in the Hlaing Tharyar factory district of Yangon on March 14. Dozens would be killed on this day.

Protesters using slingshots and other homemade weapons in a clash with security forces in March. “You see these young men with slingshots and homemade weapons that could barely kill a bird, facing a military,” The Times’ photographer said. “They’re fighting for their freedom and democracy.”

Protesters helping a man who was shot in the leg during a clash with the security forces during a protest on the outskirts of Yangon on March 14. Dozens were killed.

Riot police in Yangon watching as protesters clashed with pro-military supporters, who attacked people in the neighborhood with swords and sticks in February.
 

Shwe Yote Hlwar, 5, at the funeral of her father, Ko Zwe Htet Soe, 26, in Yangon in March. He was shot by security forces during a protest.

Shwe Yote Hlwar, 5, at the funeral of her father, Ko Zwe Htet Soe, 26, in Yangon in March. He was shot by security forces during a protest.

Nay Win Tun, left, and Moe Moe Khine with their 1-year-old daughter, Thin Thawdaw Tun. Their daughter was struck in the eye by a rubber bullet fired by the security forces while the baby was inside their home in Yangon.

Family members mourning beside the body of Kyaw Htet Aung, 19, a high school student killed when security forces fired on protesters in Dala township, Yangon, in late March.

Demonstrators in front of the U.S. Embassy in Yangon protesting the military coup and praying for those who died in recent crackdowns.
 

A secret projection in Yangon of the iconic three-finger “Hunger Games” salute, which became a symbol of the anti-junta movement. These projections would appear unexpectedly, and disappear before security forces could track down their creator or point of origin. The artist who created this projection would be arrested if his identity or location was revealed.

Winners

Prize Winner in Breaking News Photography in 2022:

Marcus Yam of the Los Angeles Times

For raw and urgent images of the U.S. departure from Afghanistan that capture the human cost of the historic change in the country. (Moved from Feature Photography by the jury.) Breaking News Photography

The Jury

Emilio Garcia-Ruiz(Chair)

Editor in Chief, San Francisco Chronicle

Cathaleen Curtiss

Director of Photography, The Buffalo News

Carol Guzy*

Independent Photojournalist, Arlington, Va.

Ryan Christopher Jones

Photojournalist, Clovis, Calif.

Kimi Yoshino

Editor-in-Chief, The Baltimore Banner

Winners in Breaking News Photography

Photography Staff of Reuters

For wide-ranging and illuminating photographs of Hong Kong as citizens protested infringement of their civil liberties and defended the region’s autonomy by the Chinese government.

Photography Staff of Reuters

For a vivid and startling visual narrative of the urgency, desperation and sadness of migrants as they journeyed to the U.S. from Central and South America.

Ryan Kelly of The Daily Progress

For a chilling image that reflected the photographer’s reflexes and concentration in capturing the moment of impact of a car attack during a racially charged protest in Charlottesville, Va.

2022 Prize Winners

Jennifer Senior of The Atlantic

For an unflinching portrait of a family’s reckoning with loss in the 20 years since 9/11, masterfully braiding the author's personal connection to the story with sensitive reporting that reveals the long reach of grief.