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Finalist: American Descent, by Andrew Rindfleisch

An energetic, emotional work, richly orchestrated to include propulsive metallic textures as well as moments of solitude and introspection, different pathways for listeners of all perspectives to wrestle with the uncertainty of turbulent times.

Nominated Work

American Descent

Recording of American Descent (Andrew Rindfleisch)

A work in five movements scored for 13 players

Premiered in October of 2025

0:00 - I. Descending

7:28 - II. Bread and Circuses

11:06 - III. Interlude: Reminiscence

19:21 - IV. Cruelty

23:24 - V. Ascending

PROGRAM NOTE

AMERICAN DESCENT

American Descent is a work scored for a sinfonietta of 13 players- commissioned by the NO EXIT New Music Ensemble, whose instrumentalists form the core of this premiere performance. A five-movement work, American Descent explores the precipitous decline of a once prosperous society into a culture of chaos, division and violence, where previously thriving communities become powerless in the shadow of feckless and immoral leadership. Each of the work’s five movements is a kind of reflection on this seemingly unending cycle of turmoil.

I. Descending The opening movement reveals music that depicts a rapid and frightening descent into the confusion, fear and alarm of a downward spiraling society, unable to slow or stop its decline.

II. Bread and Circuses The second movement paints a culture that consumes disinformation as a form of grotesque entertainment. The endless cycles of hysteria and grievance coupled with the dishonesty of broadcast  outlets (and the social media mobs that spread them), reveal the addiction of a society of junkies, happily caught in a delirium of frenzied lies and hypocrisy. 

III. Interlude: Reminiscence Here, at the work’s center, a distant, far-away music appears as a dream-like interruption of sentiment and reminiscence.

IV. Cruelty The fifth movement explores the ease with which a culture engages in acts of cruelty so regularly, the behavior becomes ubiquitous. The resulting apathy and numbing effect of the frequency of such acts is revealed here in the colors of a benumbed orchestration.

V. Ascending In the final movement, a glimmer of optimism unfolds in a music that, little by little, grows in volume, intensity and fortitude around a single pitch. From a distant fragmented opening, the music steadily moves its way to a unified sound-world of strength and possibility.

-- from the composer's YouTube release

Biography

American composer Andrew Rindfleisch has enjoyed a career in music that has also included professional activity as a conductor, pianist, vocalist, improviser, record producer, and radio show host. He is the recipient of the Rome Prize, a John Simon Guggenheim Fellowship, the Aaron Copland Award, a Koussevitzky Foundation Commission from the Library of Congress, and a Charles Ives Award from the American Academy of Arts and Letters. Additionally, his work has been honored with over forty other prizes and awards throughout his career. He has participated in dozens of renowned music festivals and has received residency fellowships from the Bogliasco Foundation (Italy), the Czech-American Institute in Prague, the June in Buffalo Contemporary Music Festival, the MacDowell Colony, and the Pierre Boulez Conductor’s Workshop at Carnegie Hall.
As a composer, Dr. Rindfleisch has produced a catalog of over 80 compositions for the concert hall, including solo, chamber, vocal, orchestral, brass, wind, and choral music. Recent projects include collaborations with the ENCORE Chamber Music Institute, Alarm Will Sound, the JACK Quartet, the Meridian Arts Ensemble, Zeitgeist New Music Ensemble, NO EXIT New Music Ensemble, and the San Antonio Chamber Choir. His work has been commercially recorded on the Navona, Albany, Innova, Gothic and Clarion labels and is available on CD and streaming services. He holds degrees from the University of Wisconsin at Madison (Bachelor of Music), the New England Conservatory of Music (Master of Music), and Harvard University (PhD).

As a conductor and producer, Dr. Rindfleisch’s commitment to contemporary music culture has brought into performance and recording over 500 works by living composers over the past 30 years. He currently heads the Music Composition Program at Cleveland State University and leads the Composition Institute at the CHROMA International Music Festival outside Budapest, Hungary.

Winners

Prize Winner in Music in 2026:

Gabriela Lena Frank

Premiered on March 13, 2025 at Marian Anderson Hall, Philadelphia, a modern symphonic work informed by the composer’s personal experiences with California wildfires and Andean legend, ten powerful movements that follow a hummingbird through its attempts to escape cataclysms, a contemplation of the fragile future. Music

Finalists

Nominated as finalists in Music in 2026:

Billy Childs

A powerfully expressive composition that unifies chamber music, jazz and choral music in a combination that speaks to America’s diverse musical traditions, offered as a way of carrying forward the spirit of our ancestors.

The Jury

John V. Brown, Jr.(Chair)

Director of the Jazz Program and Professor of the Practice of Music, Duke University

Alejandro L. Madrid

Department Chair and Walter W. Naumburg Professor of Music, Harvard University

Mark O’Connor

Composer, Author and Violinist/Guitarist/Mandolinist, Charlotte, N.C.

Ellen Reid*

Composer and Sound Artist, NYC and Los Angeles

Maria Schneider

Composer and Orchestra Leader, New York City

Winners in Music

Susie Ibarra

Premiered on July 18, 2024 at the Asia Society, New York, N.Y., a work about ecosystems and biodiversity, that challenges the notion of the compositional voice by interweaving the profound musicianship and improvisational skills of a soloist as a creative tool.

Tyshawn Sorey

Premiered on March 16, 2023 at Atlanta Symphony Hall, an introspective saxophone concerto with a wide range of textures presented in a slow tempo, a beautiful homage that’s quietly intense, treasuring intimacy rather than spectacle.

Rhiannon Giddens and Michael Abels

Premiered on May 27, 2022 at the Spoleto Festival USA in Charleston, S.C., an innovative and compelling opera about enslaved people brought to North America from Muslim countries, a musical work that respectfully represents African as well as African American traditions, expanding the language of the operatic form while conveying the humanity of those condemned to bondage.

Raven Chacon

Premiered on November 21, 2021 in Milwaukee, Wis., a mesmerizing, original work for organ and ensemble that evokes the weight of history in a church setting, a concentrated and powerful musical expression with a haunting visceral impact.

2026 Prize Winners

M. Gessen of The New York Times

For an illuminating collection of reported essays on rising authoritarian regimes that draw on history and personal experience to probe timely themes of oppression, belonging and exile.