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Finalist: In the Arms of the Beloved, by Billy Childs

A powerfully expressive composition that unifies chamber music, jazz and choral music in a combination that speaks to America’s diverse musical traditions, offered as a way of carrying forward the spirit of our ancestors.

Nominated Work

In the Arms of the Beloved

Billy Childs: In The Arms Of The Beloved 

Grant Gershon, conductor (Billy Childs, Dan Chmielinski, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)

Billy Childs’ In the Arms of the Beloved conveys a profound message of hope, eternal love and resilience, and is especially poignant in the wake of the devastation from the fires that decimated the beautiful communities of Altadena and the Palisades. That this work is rooted in the very land—Southern California—that endured such hardship adds an extra layer of emotional depth, making it not just an incredible composition, but a collective expression of grief and renewal.

The collaboration of such remarkable artists—Billy Childs, Dan Chmielinski, Christian Euman, Grant Gershon, Ola Gjeilo, Larry Koonse, Lyris Quartet, Carol Robbins, Luciana Souza, Eric Whitacre and the Los Angeles Master Chorale, truly speaks to the power of community. Each of these musicians brings their own unique voice, yet together create a harmonious blend that resonates beyond sound. The music is a balm for the soul, a way to honor the bravery of the firefighters and frontline workers, the many families who’ve been affected by the fires, helping them process their pain and find moments of peace amidst the chaos.

Music has an incredible ability to transcend the immediate and become timeless. This piece elevates my spirit and soul and allows me to reflect and reminisce. It also reminds me of how sound can act like a bridge, connecting us not just to each other, but to something larger—whether that’s the land, the shared human experience, or a collective healing.

This stunning music by Billy Childs, Ola Gjeilo, and Eric Whitacre feels like a beautiful gift—a way to transform tragedy into something redemptive, to carry the memory of those we’ve lost, and to honor the acts of courage and love that continue to surround us.

-- from Anne Akiko Meyers

In the Arms of the Beloved is a 31-minute requiem composed for solo violin, 48 voice chorus, vocal soloist (mezzo-soprano), and jazz/chamber ensemble (piano, harp, guitar, acoustic bass, drum set, and string quartet). The work uses, as its text, the poem, Gone to the Unseen by Rumi (translation by Jonathan Star). While there are various themes and harmonies that occur and recur, serving to bind the piece organically, there is no overall "formal" structure applied other than to illustrate the shifting moods and perspectives of the poetry in real time. It is meant to be a dramatic piece in that sense.

In the Arms of the Beloved is a requiem in remembrance of my beloved mother, Mable Brown Childs. I look at the violin as the “voice” of my mother, the piano as my voice, and the choir as a shapeshifting sonic environment which sets the mood and tells the main story of the timeless Rumi poem (Gone to the Unseen), as interpreted by Jonathan Star. The poem, in my opinion, describes a beautiful way to look at death, therefore providing a means for me to process my mother’s passing.

-- from the composer's entry

Biography

Billy Childs was born in Los Angeles on March 8th, 1957. In 1975, he entered USC as a composition major, graduating four years later with a bachelor of music in composition under the tutelage of Robert Linn.

Since then Mr. Childs has received a number of orchestral and chamber commissions from, among others: Esa-Pekka Salonen and the Los Angeles Philharmonic, the Detroit Symphony Orchestra under the baton of Leonard Slatkin, the Los Angeles Master Chorale, The National Symphony, The San Diego Symphony, The Kronos Quartet, the Dorian Wind Quintet, the Lincoln Center Jazz Orchestra, the American Brass Quintet, the Ying Quartet, the Lyris Quartet, Anne Akiko Meyers, Rachel Barton Pine, Steven Banks, Anthony and Demarre McGill and the Isidore String Quartet.

Thus far, in his career, Childs has garnered seventeen Grammy nominations and six Grammy awards: two for best instrumental composition (Into the Light from Lyric and The Path Among The Trees from Autumn: In Moving Pictures), two for best arrangement accompanying a vocalist (including New York Tendaberry from Map to the Treasure: Reimagining Laura Nyro, featuring Renee Fleming and Yo-Yo Ma), and two for best instrumental jazz album (Rebirth, 2018 and The Winds of Change, 2024). In 2006, Childs was awarded a Chamber Music America composer’s grant, and in 2009 was the recipient of a Guggenheim Fellowship. In 2013 he was awarded the Doris Duke Performing Artist Award. He has also been awarded a composers award from the American Academy of Arts and Letters (2015). His works have been performed at Carnegie Hall, Kennedy Center, and Disney Concert Hall. In 2018, Childs was named “Outstanding Alumnus” of the Thornton School of Music (sharing that honor with, among others, Morton Lauridsen, Michael Tilson Thomas, and Marilyn Horne). Childs has also served as president of Chamber Music America (2016-2022).

Childs’ solo jazz recording career began in 1988, when he released four critically acclaimed albums on the Windham Hill Jazz label. Mr. Childs has also recorded two volumes of “jazz/chamber music” (an amalgam of jazz and classical music) – Lyric, Vol. 1 (2006) and Autumn: In Moving Pictures, Vol. 2 (2010); both recordings have collectively been nominated for five Grammy awards (winning twice). Childs recorded a collection of re-imagined Laura Nyro compositions for Sony Masterworks, released in September 2014. Map to the Treasure: Reimagining Laura Nyro, was produced by Larry Klein and features as guest artists, among others: Renee Fleming, Yo-Yo Ma, Wayne Shorter, Alison Kraus, Dianne Reeves, Chris Botti, Esperanza Spalding, and Lisa Fischer. In 2017, Childs released the first of his two Mack Avenue recordings, Rebirth, which won the 2018 Grammy award for best instrumental jazz album. Acceptance, his second Mack Avenue recording, was released in 2020, and his third Mack Avenue recording, The Winds of Change was released in March 2023.

As a pianist Childs has performed with, among others, Yo-Yo Ma, Sting, Renee Fleming, the Los Angeles Philharmonic, the Los Angeles Master Chorale, the Detroit Symphony, Rachel Barton Pine, Anne Akiko Meyers, Chick Corea, the Kronos Quartet, Wynton Marsalis, Jack DeJohnette, the Dorian Wind Quintet, Ying Quartet, the American Brass Quintet and Dave Holland.

Winners

Prize Winner in Music in 2026:

Gabriela Lena Frank

Premiered on March 13, 2025 at Marian Anderson Hall, Philadelphia, a modern symphonic work informed by the composer’s personal experiences with California wildfires and Andean legend, ten powerful movements that follow a hummingbird through its attempts to escape cataclysms, a contemplation of the fragile future. Music

Finalists

Nominated as finalists in Music in 2026:

Andrew Rindfleisch

An energetic, emotional work, richly orchestrated to include propulsive metallic textures as well as moments of solitude and introspection, different pathways for listeners of all perspectives to wrestle with the uncertainty of turbulent times.

The Jury

John V. Brown, Jr.(Chair)

Director of the Jazz Program and Professor of the Practice of Music, Duke University

Alejandro L. Madrid

Department Chair and Walter W. Naumburg Professor of Music, Harvard University

Mark O’Connor

Composer, Author and Violinist/Guitarist/Mandolinist, Charlotte, N.C.

Ellen Reid*

Composer and Sound Artist, NYC and Los Angeles

Maria Schneider

Composer and Orchestra Leader, New York City

Winners in Music

Susie Ibarra

Premiered on July 18, 2024 at the Asia Society, New York, N.Y., a work about ecosystems and biodiversity, that challenges the notion of the compositional voice by interweaving the profound musicianship and improvisational skills of a soloist as a creative tool.

Tyshawn Sorey

Premiered on March 16, 2023 at Atlanta Symphony Hall, an introspective saxophone concerto with a wide range of textures presented in a slow tempo, a beautiful homage that’s quietly intense, treasuring intimacy rather than spectacle.

Rhiannon Giddens and Michael Abels

Premiered on May 27, 2022 at the Spoleto Festival USA in Charleston, S.C., an innovative and compelling opera about enslaved people brought to North America from Muslim countries, a musical work that respectfully represents African as well as African American traditions, expanding the language of the operatic form while conveying the humanity of those condemned to bondage.

Raven Chacon

Premiered on November 21, 2021 in Milwaukee, Wis., a mesmerizing, original work for organ and ensemble that evokes the weight of history in a church setting, a concentrated and powerful musical expression with a haunting visceral impact.

2026 Prize Winners

M. Gessen of The New York Times

For an illuminating collection of reported essays on rising authoritarian regimes that draw on history and personal experience to probe timely themes of oppression, belonging and exile.