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Finalist: Clam Down: A Metamorphosis, by Anelise Chen (One World)

An experimental and deeply original memoir in which the writer reimagines herself as a clam, using humor and tenderness to explore a fraught relationship with her father and the pressures of being a first-generation daughter of immigrant parents.

Nominated Work

Clam Down: A Metamorphosis

 

In this wondrously unusual memoir, a woman retreats into her shell in the aftermath of her divorce, and must choose between the pleasures and the perils of a closed-up life—a transformation fable from an acclaimed 5 Under 35 National Book Foundation honoree.

“A marvel and a delight . . . This is a book that will stay with me forever.”—Leslie Jamison, author of Splinters

ONE OF CHICAGO TRIBUNE’S TEN BEST BOOKS OF THE YEAR • A BEST BOOK OF THE YEAR: VULTURE, ELECTRIC LIT, SHELF AWARENESS

We’ve all heard the story about waking up as a cockroach—but what if a crisis turned you into a clam? After the dissolution of her marriage, a writer is transformed into a “clam” via typo after her mother keeps texting her to “clam down.” The funny if unhelpful command forces her to ask what it means to “clam down”—to retreat, hide, close up, and stay silent. Idiomatically, we are said to “clam up” when we can’t speak, and to “come out of our shell” when we reemerge, transformed.

In order to understand her path, the clam digs into examples of others who have embraced lives of reclusiveness and extremity. Finally, she confronts her own “clam genealogy” to interview her dad, who disappeared for a decade to write a mysterious accounting software called Shell Computing. By excavating his past to better understand his decisions, she learns not only how to forgive him but also how to move on from her own wounds of abandonment and insecurity.

Using a genre-defying structure and written in novelistic prose that draws from art, literature, and natural history, Anelise Chen unfolds a complex story of interspecies connectedness, in which humans learn lessons of adaptation and survival from their mollusk kin. While it makes sense in certain situations to retreat behind fortified walls, the choice to do so also exacts a price. What is the price of building up walls? How can one take them back down when they are no longer necessary?

Biography

Anelise Chen is the author of the experimental novel So Many Olympic Exertions, a finalist for the VCU Cabell First Novelist Award. She is a 5 Under 35 Honoree from the National Book Foundation. Her hybrid memoir, Clam Down, is based on her mollusk column for the Paris Review. She has received residencies and fellowships from the Asian American Writers’ Workshop, Blue Mountain Center, Banff Centre, the Wurlitzer Foundation, and the Akademie Schloss Solitude in Stuttgart, Germany. Her essays and reviews have appeared in The New York Times, NPR, BOMB Magazine, The New Republic, VICE, Village Voice and many other publications. Chen received her MFA from New York University and her bachelor’s degree from the University of California Berkeley. She is currently an assistant professor of creative writing and director of undergraduate studies in creative writing at Columbia University School of the Arts.
 

Winners

Prize Winner in Memoir or Autobiography in 2026:

Yiyun Li

A writer’s deeply moving and revelatory account of losing her younger son to suicide a little more than six years after her older son died in the same manner, an austere and defiant memoir of acceptance that focuses on facts, language and the persistence of life. Memoir or Autobiography

Finalists

Nominated as finalists in Memoir or Autobiography in 2026:

Hala Alyan

A memoir that reimagines diaspora and the long consequences of war with literary clarity, in which the author’s experiences with infertility and then motherhood are juxtaposed with an intergenerational family history.

Sarah Chihaya

An incisive account that illustrates how literary devotion can sustain but also endanger the self, since literature contains ideas that are perilous and revolutionary as well as restorative.

The Jury

Grace Talusan(Chair)

Assistant Teaching Professor of English, Nonfiction Writing Program, Brown University

Hua Hsu*

Professor of Literature, Bard College and Staff Writer, The New Yorker

Kiese Laymon

Libbie Shearn Moody Professor of English and Creative Writing, Rice University

Sabrina Orah Mark

Author and Faculty, Bennington College Writing Seminars

Meghan O’Rourke

Editor, The Yale Review and Professor in the Practice, English and Creative Writing, Yale University

Winners in Memoir or Autobiography

Tessa Hulls

An affecting work of literary art and discovery whose illustrations bring to life three generations of Chinese women – the author, her mother and grandmother, and the experience of trauma handed down with family histories.

Cristina Rivera Garza

A genre-bending account of the author’s 20-year-old sister, murdered by a former boyfriend, that mixes memoir, feminist investigative journalism and poetic biography stitched together with a determination born of loss.

Hua Hsu

An elegant and poignant coming of age account that considers intense, youthful friendships but also random violence that can suddenly and permanently alter the presumed logic of our personal narratives.

2026 Prize Winners

M. Gessen of The New York Times

For an illuminating collection of reported essays on rising authoritarian regimes that draw on history and personal experience to probe timely themes of oppression, belonging and exile.