Skip to main content

Finalist: Bibliophobia: A Memoir, by Sarah Chihaya (Random House)

An incisive account that illustrates how literary devotion can sustain but also endanger the self, since literature contains ideas that are perilous and revolutionary as well as restorative.

Nominated Work

Bibliophobia: A Memoir

 

“A wise, tremendously moving exploration of what it means to seek companionship and understanding, in books and in life.”—Hua Hsu, author of Stay True

“Stirring and sparkling.”—The Washington Post

A PUBLISHERS WEEKLY AND ELECTRIC LIT BEST BOOK OF THE YEAR • ONE OF THE BEST BOOKS OF THE MONTH: Time, Los Angeles Times, Cosmopolitan

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”.

Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?

Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.

Biography

Sarah Chihaya is a book critic, essayist, and editor. Her work has appeared in The New Yorker, The New York Review of Books, The Nation, New York magazine, The Atlantic, and The Yale Review, among other places, and she is the co-author of The Ferrante Letters: An Experiment in Collective Criticism. She has taught at Princeton University, New York University, and UC Berkeley. She is currently a contributing editor at Los Angeles Review of Books and lives in Brooklyn.
 

Winners

Prize Winner in Memoir or Autobiography in 2026:

Yiyun Li

A writer’s deeply moving and revelatory account of losing her younger son to suicide a little more than six years after her older son died in the same manner, an austere and defiant memoir of acceptance that focuses on facts, language and the persistence of life. Memoir or Autobiography

Finalists

Nominated as finalists in Memoir or Autobiography in 2026:

Anelise Chen

An experimental and deeply original memoir in which the writer reimagines herself as a clam, using humor and tenderness to explore a fraught relationship with her father and the pressures of being a first-generation daughter of immigrant parents.

Hala Alyan

A memoir that reimagines diaspora and the long consequences of war with literary clarity, in which the author’s experiences with infertility and then motherhood are juxtaposed with an intergenerational family history.

The Jury

Grace Talusan(Chair)

Assistant Teaching Professor of English, Nonfiction Writing Program, Brown University

Hua Hsu*

Professor of Literature, Bard College and Staff Writer, The New Yorker

Kiese Laymon

Libbie Shearn Moody Professor of English and Creative Writing, Rice University

Sabrina Orah Mark

Author and Faculty, Bennington College Writing Seminars

Meghan O’Rourke

Editor, The Yale Review and Professor in the Practice, English and Creative Writing, Yale University

Winners in Memoir or Autobiography

Tessa Hulls

An affecting work of literary art and discovery whose illustrations bring to life three generations of Chinese women – the author, her mother and grandmother, and the experience of trauma handed down with family histories.

Cristina Rivera Garza

A genre-bending account of the author’s 20-year-old sister, murdered by a former boyfriend, that mixes memoir, feminist investigative journalism and poetic biography stitched together with a determination born of loss.

Hua Hsu

An elegant and poignant coming of age account that considers intense, youthful friendships but also random violence that can suddenly and permanently alter the presumed logic of our personal narratives.

2026 Prize Winners

M. Gessen of The New York Times

For an illuminating collection of reported essays on rising authoritarian regimes that draw on history and personal experience to probe timely themes of oppression, belonging and exile.